Monday, October 25, 2010

artists using mark making

These are drawings of Peter Paul Rubens, seventeenth century Baroque painter from Flanders.


This one reminds me of our homework, as the artist is also drawing on a toned paper using black and white conte, with a subtle addition of sienna. He is
paying attention to the face, while the collar and the clothes have less
value and look more gestural an
d unfinished. I love the unfinished feel, it makes the drawing more alive, and brings focus to the face. The marks he is using are mostly hatching and cross-hatching, and some scribbling on the clothes.









Here, Rubens uses a lot of sienna and strong black on the person's hair, some white conte is used for highlights on the cheeks and on the collar. The cross-hatching on the face is more delicate and careful than the hatching on the hat and the clothes. In some places the marks on the hat look more like scribbling. Rubens creates a very life-like hair texture with the help of curvy marks of different value.
Amazing!!








This drawing is done by black conte on white paper. Rubens uses directional hatching and cross-hatching to defin
e the form of the animal's body.









These drawings belong to a current artist from Belorussia. His name is Vsevolod Shayba. He draws mostly with graphite pencil on white paper.


This is obviously not a drawing from observation. It looks almost as if it was digitally generated. Some subtle cross-hatching marks are noticeable in the sky. The rest of the marks are hard to see (at least on this photograph). The tree trunks are drawn using very fine and gentle shading. Also, I think the irregular framing of the drawing is interesting, and makes it look like a book illustration.



Another imaginative drawing by this artist. The marks are more obvious than on the previous one. The marks are mostly very fine cross-hatching. Love the realistic look of the drapery!





















This drawing is done with black ink and a dip pen on paper.
















these are couple of close-up fragments that show the variety of marks used by the artist:
tiny lines of different length and direction, dots, and again a very fine cross-hatching.

2 comments:

  1. Great examples and analysis. Some of those images are SO tiny, it's hard to make out detail and linework. It's so frustrating! Why don't artist's understand we want to SEE their work?!?!

    ReplyDelete
  2. The original images were much bigger, but unfortunately they got smaller after I uploaded them to the blog :(

    ReplyDelete